Civil War Art

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“Lineman, Military Telegraph” by Isaac Walton Taber (1857-1933)

In the 1880s while memories of the Civil War were still fresh, the Century magazine commissioned a history of the war, drawing upon first person accounts and illustrated by the best pen & ink artists of the day. During the war (1861-1865), there was no good way to transfer a photograph to the printed page, and artists who sent their sketches in from the battlefields were at the mercy of those who engraved their art on wood blocks, always in a rush, for printing. But 20 years later, it was possible to hire the best artists and allow both artists and engravers the time to produce the best images. The history ran in Century magazine and when completed was published in four volumes as Battles and Leaders of the Civil War (1888). In 1974, the art from this collection was published as The American Heritage Century Collection of Civil War Art. These images are taken from that publication, with thanks to Steve and Wendy Osborne for the gift of the book.

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“Chickahominy Swamp” by John Douglas Woodward (1846-1924)

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Kearsarge Gun Crew” by Isaac Walton Taber (1857-1933)

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“Confederate Gunboat, Bayou Teche” by Frank H. Schell (1834-1909)

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“The Lee House” by Isaac Walton Taber (1857-1933)

Poppies

Poppies

This stamp came on an envelope in yesterday’s mail, with its portrait of John McCrae and the first lines of his poem:

In Flanders fields, the poppies blow
Between the crosses, row on row

The poem continues:

That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow.
Loved, and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe;
To you from failing hands we throw
The torch, be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

John McCrae was a Canadian medical officer serving in Flanders, a region of Belgium, during World War I. At one point during the second battle for Ypres, he spent 17 straight days treating the wounded and dying. On the night of May 2, 1915, McCrae buried a former student and friend; the burial service was conducted in the dark for security reasons, and without a chaplain; McCrae simply said aloud from memory a bit of the Church of England’s “Order of Burial for the Dead.”

The next day, he sat on the rear step of an ambulance and wrote a poem about the young men lost, about the white crosses that marked their graves, and the red poppies that suddenly seemed to be growing everywhere in the fields. Why poppies? Because wild poppies grow best when other nearby plants have been uprooted, and the soil is rich in lime. During the artillery barrages, the chalk soil of Flanders was churned and became rich in lime from the rubble. The poppy seeds in the soil sprouted, and almost overnight the barren battle fields and rows of graves were red with poppies.

McCrae showed the poem to one other soldier, and then threw it aside. A soldier retrieved it and sent it to London, where it was published in Punch magazine. Eventually, it became the most famous poem of the war. Inspired by McCrae’s poem, women serving veterans – in Britain, Canada and the United States, in YMCA canteens, in the American Legion Auxiliary – began wearing red paper poppies as a sign of remembrance of those who had given their lives for their country. In 1919, the idea of distributing the poppies and collecting donations for the relief of disabled veterans was born. Since then, poppies have been an important part of remembering those who gave their lives — in wars we no longer remember and in wars that are entirely too fresh in our memories — and raising money for those veterans who will never return to full lives.

I am one of the lucky ones. My own military service was uneventful. I was never in combat. I returned to civilian life unscathed. But McCrae’s poem, whenever I see it, reminds me of those who “lived, felt dawn, saw sunset glow. Loved, and were loved…” but were not as fortunate as myself.

Beefsteak and Pancakes

“Capt. H.L. Preston of Jordan [N.Y.] Writes Impressively of His Work and Life at the Front. Rev. B.L. Stafford Shares Letter with Public.”

Nov. 8th, 1918, Somewhere in France

Dear Mr. Stafford:

“Just a word to let you know I am safe and well and often thinking of you all, even though I do not get time to write as many letters as I might wish. My oversea’s orders came so suddenly and the time was so short that I could not get to Jordan or any where else to bid my friends and relatives ‘au revoir.’ Had a very pleasant trip over on a fast ship and did quite a bit of traveling about France before I got to my organization.  Was able to spend two nights and one day in Paris, and it is surely a wonderful city: at that time it was so darkened at night that it was difficult to get around …

“The other night I slept in a town, up rather close to the front, that had been very much damaged: slept in a cellar that had been made over into a shell proof shelter, and was very comfortable. The noise of the artillery might not have been conducive to sleep for a nervous person. The next morning had breakfast in a ruined church: beefsteak, pancakes and coffee cooked by American colored boys. It surely was some strange sight to see the boys chopping up a quarter of beef in the Chancel and piling it up on a High Altar of a once beautiful church. Part of the roof and three of the side walls were more or less intact… seats gone for German firewood long ago. Under one of the Altars I noticed a sarcophagus among the ruins – probably some beloved priest.”

– “Some Letters from Soldiers,” Marcellus Observer, December 18, 1918

Give Generously

Underwood Pipe

Underwood Fund

While I’m on Clarence Underwood, how about this appeal for the “Our Boys in France Tobacco Fund”? Who could say ‘no’ to writing like this: “A soldier or sailor craves tobacco. A smoke cheers his lonely days and nights in the trenches or aboard ship; home and friends loom up in the fragrant puffs… Even if you object to tobacco personally, think of those who long for its comforts and let your contribution come without delay.”

That’s an Order

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A friend recently shared this with me, from a collection of memorabilia brought home from Occupied Europe after WWII, by an uncle. I had never seen one of these cards; each man serving in the Occupational Forces received one, personalized even, and was expected to abide by these new “battle orders” forbidding fraternization.

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I especially was drawn to item 6c:

“American soldiers must not associate with Germans. Specifically, it is not permissible to shake hands with them, to visit their homes, to exchange gifts with them, to engage in games or sports with them, to attend their dances or social events, or to accompany them on the street or elsewhere. Particularly, avoid all discussion or argument with them. Give the Germans no chance to trick you into relaxing your guard.”

How do you suppose that one went for Gen. Omar Bradley, the officer who issued these orders? Well, by 1950, more than 14,000 German women had become American “war brides,” presumably without shaking hands with their spouses. And between 1945 and 1955, more than 34,000 “occupation babies” were fathered by American G.I.s, presumably without participation in games, dances or social events. However such things magically occurred, the vast majority of these children were never acknowledged or supported by their fathers. One estimate for the number of men taking responsibility was 5 in every 1,000. And so it goes.