Community Standing

“Just as American girls expect candy and flowers from the young men who are attentive to them, so Dyak maidens expect freshly severed human heads. The warrior who refused to present his lady-love with such grisly evidences of his devotion would be rejected by her and ostracized by his tribe. Nor does head-hunting end with marriage, for the standing of both the man and his wife in the community depends upon the number of grinning skulls which swing from the ridgepole of their hut. Heads are to a Dyak what money is to a man in civilized countries — the more he has, the greater his importance.”

— From Where the Strange Trails Go Down (1921) by E. Alexander Powell

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Auburn Prison

A postcard view of the Auburn, N.Y., prison. I assume these are the warden’s quarters. Love the ivy, the awnings, and, I also assume, the outhouse at the bottom of the stairs. Or it could be a potting shed, but I doubt it.

Not So Simple

Anya Loft

Anya Taylor Joy photographed by Craig McDean, 2015

One could think of this as a simple photo, but no:

Styling: Karl Templer.

Cosmetics: Dior, including Diorskin Nude Air Healthy Glow Ultra-fluid Serum Foundation.

Hair: James Pecis/D+V Management.

Makeup: Peter Philips for Christian Dior.

Manicure: Yuko Tsuchihashi for Dior Vernis/Susan Price NYC.

Set design: Stefan Beckman/Exposure NY.

Producer: Sara Zion for Prodn/Art+Commerce.

Production manager: Ashley Scott for Prodn/Art+Commerce.

Retouching: Gloss Studio.

Digital technician: Nicholas Ong.

Photo assistants: Simon Roberts, Huan Nguyen, Maru Teppei and Dean Podmore.

Styling assistants: Melissa Levy and Aleksandra Koj. Hair assistant: Adlena Dignam.

Makeup assistants: Emiko Ayabe and Taly Waisberg.

Set design assistants: Max Zinser and Yonatan Zonszein.

Production assistants: Kaia Balcos and John Daniel Powers.

Special thanks: Soho Lofts.